"Romance" by Fritz Kreisler, Kees Hulsmann, Marian Bolt had its release date on November 4, 2016. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Fritz Kreisler, Kees Hulsmann, Marian Bolt's "Kreisler: The Complete Original Works for Violin and Piano" album is number 8 out of 35. In terms of popularity, Romance is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romance by Fritz Kreisler, Kees Hulsmann, Marian Bolt to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegi, H. 47 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | ||
Jocelyn (Berceuse) | Benjamin Godard, Louise-Andrée Baril, Thérèse Motard | F Major | 0 | 7B | 125 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | B♭ Major | 1 | 6B | 87 BPM | ||
Summer | Carrie Baynes | D Minor | 1 | 7A | 93 BPM | ||
3 Old Viennese Dances: II. Liebesleid | Fritz Kreisler, Yo-Yo Ma | A Major | 0 | 11B | 85 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14 in E Flat Major: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Minor | 2 | 8A | 130 BPM | ||
Five Negro Melodies for Piano Trio: II. I was way down a-yonder | Samuel Coleridge-Taylor, Neave Trio | B♭ Major | 1 | 6B | 68 BPM | ||
How Fair This Spot, Op. 21 No. 7 (Transcribed for cello and piano) | Dmitri Shostakovich, Boris Andrianov, Rem Urasin | A♭ Major | 1 | 4B | 107 BPM | ||
Albumblätter, Op. 39: II. Andante sostenuto | Adrien La Marca, Danae Dörken | G Minor | 1 | 6A | 66 BPM |