"Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86" by Claude Debussy, Paul Tortelier, Susan Milan, English Chamber Orchestra was released on January 21, 2024. Since Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 31 out of 47 in Debussy: Clair de lune and Other Masterpieces by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 by Claude Debussy, Paul Tortelier, Susan Milan, English Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Gli uccelli, P. 154: II. La Colomba | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 0 | 11A | 170 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris) | Gustav Holst, Ulster Orchestra, Joann Falletta | G Major | 1 | 9B | 133 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
The Perfect Fool, Ballet Music Op. 39: 2. Dance of Spirits of Water | Gustav Holst, London Philharmonic Orchestra, Sir Adrian Boult | A Minor | 0 | 8A | 76 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): III. Finale - Allegro non troppo | César Franck, Pierre Monteux, Chicago Symphony Orchestra | D Major | 2 | 10B | 84 BPM |
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