Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma's 'Folk Songs: V. A la Femminisca - VI. La donna ideale' came out on July 13, 2005. With Folk Songs: V. A la Femminisca - VI. La donna ideale being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma's "Luciano Berio: Folk Songs" album is number 5 out of 15. On top of that, Spain appears to be the country where this track was created. The popularity of Folk Songs: V. A la Femminisca - VI. La donna ideale is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Folk Songs: V. A la Femminisca - VI. La donna ideale by Luciano Berio, Marta Fiol, Carlos Seco, Juan Jose Olives, Orquestra de Cámara del Auditorio de Zaragoza - Grupo Enigma to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Rêverie, L. 68 | Claude Debussy, Alice Sara Ott | G Minor | 0 | 6A | 68 BPM | ||
Wasserklavier | Luciano Berio, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 134 BPM |
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