"Cantus Officiorum: Antiphona: Omnes patriarchae" by Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca was released on January 1, 1991. With Cantus Officiorum: Antiphona: Omnes patriarchae being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 107 in the song's album "The Tradition of Gregorian Chant". In this album, this song's track order is #25. Based on our statistics, Cantus Officiorum: Antiphona: Omnes patriarchae's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantus Officiorum: Antiphona: Omnes patriarchae by Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Veni Sancte Spiritus | Monks And Choir Boys Of Downside Abbey | A Minor | 1 | 8A | 174 BPM | ||
Esultiamo tutti, o fedeli | Agostino Quaglia, Cappella del Duomo di Milano, Luciano Migliavacca | E Major | 2 | 12B | 62 BPM | ||
Emendemus Responsorium (Aschermittwoch) | Choir Of St. Abuscus | F Major | 2 | 7B | 140 BPM | ||
Cantus Officiorum: Antiphona: In exitu Israel | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | B♭ Major | 1 | 6B | 177 BPM | ||
Sanctus Benedictus | Lorenzo Perosi, Cappella Musicale del Duomo di Milano | E Minor | 2 | 9A | 171 BPM | ||
Cantus Officiorum: Hymnus: Splendor paternae gloriae | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | A♭ Major | 1 | 4B | 77 BPM | ||
Preludio, Corale variato e Finale giocoso: Preludio | Luciano Migliavacca, Alessandro La Ciacera | G Major | 2 | 9B | 66 BPM | ||
Dans la joie de Pâques : Alleluia Pascha Nostrum | Dom Le Feuvre, Congrégation de Solesme, Choeur des Bénédictins de l'Abbaye de Kergonan | E♭ Major | 0 | 5B | 65 BPM | ||
Tempo Della Chiesa. Antifona Alla Comunione: Qui Manducat | Canonici Regolari Si Sant'Antimo | A♭ Major | 0 | 4B | 132 BPM | ||
Alleluia. Confitemini... Quoniam Bonus | Benedettini Abbazia di San Paolo fuori le mura | E Major | 1 | 12B | 71 BPM |
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