- BPM
- 80
- Key
- B Major
- Camelot
- 1B
Ballo In Maschera: Morrò, ma prima in grazia - Sylvia Sass, Hungarian State Opera Orchestra Information
- Acousticness
- 97%
- Danceability
- 17%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 63%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -22.318 dB
Summary
"Ballo In Maschera: Morrò, ma prima in grazia" by Sylvia Sass, Hungarian State Opera Orchestra was released on March 1, 2014. With this song being about 5 minutes long, at 4:57, "Ballo In Maschera: Morrò, ma prima in grazia" by Sylvia Sass, Hungarian State Opera Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Magic of the Opera" album is number 16 out of 46. Ballo In Maschera: Morrò, ma prima in grazia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ballo In Maschera: Morrò, ma prima in grazia BPM
We consider the tempo marking of Ballo In Maschera: Morrò, ma prima in grazia by Sylvia Sass, Hungarian State Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Ballo In Maschera: Morrò, ma prima in grazia Key
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | |
 | Medea (Medee) (Sung in Italian): Act I: Recitative: Io cedo all buona preghiera - Aria: O Amore, vieni a me (Glauce) | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | E♭ Major | 1 | 5B | 78 BPM | |
 | Cavalleria rusticana: "Voi lo sapete, o mama" (Romanza) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 3 | 10B | 108 BPM | |
 | Don Giovanni / Act 2: "Sola, sola in buio loco" | Wolfgang Amadeus Mozart, Margaret Price, Sylvia Sass, Lucia Popp, Stuart Burrows, Gabriel Bacquier, Alfred Sramek, London Philharmonic Orchestra, Sir Georg Solti | G Minor | 1 | 6A | 83 BPM | |
 | Cherubini: Medea, Act 1: "O bella Glauce" (Chorus, Glauce) | Luigi Cherubini, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | D Major | 2 | 10B | 116 BPM | |
 | Hunyadi Laszlo: Act I Scene 2: Kiralyom neveben udvozollek (Greetings on behalf of my King!) (Cilley, Laszlo, Chorus) | Ferenc Erkel, András Molnár, Istvan Gati, Sylvia Sass, Dénes Gulyás, Zsuzsanna Denes, Sandor Sòlyom-Nagy, Magda Kalmár, József Gregor, Miklos Mersei, Attila Fulop, Hungarian People's Army Male Chorus, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Janos Kovacs | C Major | 1 | 8B | 81 BPM | |
 | Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | |
 | Faust (Sung in Hungarian): Act I: Recitative: Ki ez Isten , ertem mit tehet? (Faust) | Charles Gounod, Sylvia Sass, Gyorgy Korondy, Kolos Kováts, Lajos Miller, Magda Kalmár, Hungarian Radio and Television Chorus, Honvéd Ensemble Male Choir, Hungarian State Opera Orchestra, Ervin Lukacs | F Major | 3 | 7B | 81 BPM | |
 | Andrea Chénier / Act 1: Soffoco, moro tutta chiusa | Umberto Giordano, Hugues Cuénod, Montserrat Caballé, Kathleen Kuhlmann, Astrid Varnay, Florindo Andreolli, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 110 BPM | |
 | Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6984400749206543
End: 0.7036867141723633