"Cinderella: amoroso, Op.109, No.8" by Sergei Prokofiev, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov was released on October 18, 2010. The duration of Cinderella: amoroso, Op.109, No.8 is about 3 minutes long, at 3:07. Based on our data, "Cinderella: amoroso, Op.109, No.8" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Prokofiev: Orchestral Excerpts from Cinderella and Romeo & Juliet". In this album, this song's track order is #7. Cinderella: amoroso, Op.109, No.8 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cinderella: amoroso, Op.109, No.8 by Sergei Prokofiev, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna | G Major | 5 | 9B | 82 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Saraband | Benjamin Britten, English Chamber Orchestra | G Minor | 1 | 6A | 82 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: I. Nicht schnell | Robert Schumann, Antoine Tamestit, Eric Le Sage | E♭ Major | 1 | 5B | 111 BPM | ||
Piano Concerto in E-Flat Major, Op. 31: III. Ausserst ruhig, versonnen, schwarmerisch | Hans Pfitzner, Tzimon Barto, Staatskapelle Dresden, Christian Thielemann | A♭ Minor | 0 | 1A | 64 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
Moments of Memory II: No. 5, Autumn Serenade | Valentin Silvestrov, Iryna Starodub, Kiev Virtuosi Chamber Orchestra, Dmitry Yablonsky | B Major | 0 | 1B | 133 BPM | ||
Rachmaninov: Symphony No. 3 in A Minor, Op. 44: I. Lento - Allegro moderato - Allegro | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons, St. Petersburg Philharmonic Orchestra | F Major | 1 | 7B | 72 BPM |
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