Lang Lang's 'The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846' came out on November 15, 2019. The duration of The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 47 in the song's album "Piano Book (Encore Edition)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 by Lang Lang having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Promise | Michael Nyman | A Minor | 2 | 8A | 80 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Lang Lang | A♭ Major | 0 | 4B | 137 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Flower Duet | Léo Delibes, Richard Kapp | C Major | 0 | 8B | 72 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
La Campanella | Franz Liszt | A♭ Minor | 3 | 1A | 124 BPM |
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