- BPM
- 81
- Key
- D♭ Major
- Camelot
- 3B
Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth) - Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright Information
- Acousticness
- 97%
- Danceability
- 26%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 65%
- Loudness
- 61%
- Speechiness
- 12%
- Valence
- 10%
- Popularity
- 0%
- Loudness
- -23.155 dB
Summary
"Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth)" by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright was released on April 1, 1999. The duration of Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth) is about 3 minutes long, at 3:15. Based on our data, "Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 43 in Donizetti: Mary Stuart by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Rosalind Plowright, David Rendall, Alan Opie, John Tomlinson, Angela Bostock. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth) BPM
The tempo marking of Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth) by Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Mary Stuart, A. 43, In. 52, Act I: If fortune one day should send to me… (Elizabeth) Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | |
 | Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Le Conseiller Lindorf, morbleu! (Lindorf/Andrès) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | F♯ Major | 0 | 2B | 97 BPM | |
 | La fille du régiment / Act 1: L'ennemi s'avance, amis, armons-nous! | Gaetano Donizetti, Jules Bruyere, Monica Sinclair, Alan Jones, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 1 | 7B | 128 BPM | |
 | Così fan tutte, K. 588 / Act I: "Soave sia il vento" | Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Minor | 1 | 6A | 88 BPM | |
 | Il barbiere di Siviglia / Act 1: "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" | Gioachino Rossini, Luigi Alva, Renato Cesari, Barna Kováts, Theodor Guschlbauer, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 136 BPM | |
| Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | |
 | Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 89 BPM | |
 | Don Pasquale: Quel guardo il cavaliere | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 95 BPM | |
 | Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Renato Cioni, Robert Merrill, Dame Joan Sutherland, Cesare Siepi, Kenneth McDonald, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard | D Major | 2 | 10B | 94 BPM |
- ISRC
- GBLWD9906304
- Label
- L-M Records/RCA Records
Section: 0.6300482749938965
End: 0.634838342666626