Carmina Burana - 3. Cour d'amours: "Veni, veni, venias" - Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt Information

Acousticness: 96%
Danceability: 58%
Energy: 33%
Instrumentalness: 0%
Liveness: 24%
Loudness: 69%
Speechiness: 6%
Valence: 80%
Popularity: 1%
Loudness: -18.503 dB

Summary

On January 1, 1991, the song "Carmina Burana - 3. Cour d'amours: "Veni, veni, venias"" was released by Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt. With Carmina Burana - 3. Cour d'amours: "Veni, veni, venias" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #20. Carmina Burana - 3. Cour d'amours: "Veni, veni, venias" is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Carmina Burana - 3. Cour d'amours: "Veni, veni, venias" BPM

With Carmina Burana - 3. Cour d'amours: "Veni, veni, venias" by Carl Orff, San Francisco Symphony Chorus, San Francisco Symphony, Herbert Blomstedt having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Carmina Burana - 3. Cour d'amours: "Veni, veni, venias" Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Four Seasons: Winter, I. Allegro non molto	Academy of St. Martin in the Fields	F Minor	2	4A	77 BPM
Symphony No. 6: VI. Allegro	Howard Hanson, Helsinki Philharmonic Orchestra, Leif Segerstam	B♭ Minor	3	3A	65 BPM
Pavane in F-Sharp Minor, Op. 50	Gabriel Fauré, Charles Gerhardt, National Philharmonic Orchestra	F♯ Minor	1	11A	75 BPM
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)	Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields	A Major	0	11B	85 BPM
Parsifal Wagner - Good Friday Spell	Gerard Schwarz	D Major	0	10B	75 BPM
La traviata / Act 1: Libiamo ne'lieti calici	Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge	B♭ Major	2	6B	110 BPM
Le roi s'amuse: Scene du bouquet	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	F♯ Minor	0	11A	136 BPM
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro	Rudolf Baumgartner	G Major	6	9B	122 BPM
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo	Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark	G Major	1	9B	93 BPM
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus)	Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	D Major	2	10B	110 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7675244808197021

End: 0.7714788913726807