Johann Nepomuk Hummel, Joanna Trzeciak made "Variations on "Vivat Bachus, Bachus lebe" from Mozart's Opera "Die entfürung aus dem Serail" in C Major, Op. 34 No. 3: I" available on January 1, 2001. With Variations on "Vivat Bachus, Bachus lebe" from Mozart's Opera "Die entfürung aus dem Serail" in C Major, Op. 34 No. 3: I being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Nepomuk Hummel, Joanna Trzeciak's "Hummel: Variations for Piano" album is number 36 out of 48. In terms of popularity, Variations on "Vivat Bachus, Bachus lebe" from Mozart's Opera "Die entfürung aus dem Serail" in C Major, Op. 34 No. 3: I is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Variations on "Vivat Bachus, Bachus lebe" from Mozart's Opera "Die entfürung aus dem Serail" in C Major, Op. 34 No. 3: I by Johann Nepomuk Hummel, Joanna Trzeciak to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from the Partita No. 3 in E Major for Solo Violin, BWV 1006: II. Gavotte (Transcr. by Sergey Rachmaninov) | Johann Sebastian Bach, Víkingur Ólafsson | D♭ Minor | 2 | 12A | 164 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
E l'uccellino | Giacomo Puccini, Tine Thing Helseth, Kathryn Stott | A Major | 0 | 11B | 110 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Bagatelles, Op. 47, B. 79: No. 5. Poco allegro | Antonín Dvořák, Scharoun Ensemble | G Major | 2 | 9B | 134 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: III. Rondo, allegro spirituoso | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | D Major | 1 | 10B | 103 BPM |
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