Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes made "Le Corsaire: Act I - "I. Overture"" available on October 14, 2011. With Le Corsaire: Act I - "I. Overture" being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 1 out of 70. Le Corsaire: Act I - "I. Overture" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Le Corsaire: Act I - "I. Overture" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquita: Variation 2: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 182 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Major | 3 | 6B | 144 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Großfürstin Alexandra-Walzer, Op. 181 | Johann Strauss II, Neeme Järvi, Estonian National Symphony Orchestra | G Major | 9 | 9B | 109 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": II. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, John Eliot Gardiner | B♭ Major | 0 | 6B | 67 BPM | ||
Delirien Waltz, Op.212 | Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 97 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 1 | 7B | 107 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 19 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | B Minor | 2 | 10A | 132 BPM | ||
Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 120 BPM |
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