On July 7, 2017, the song "The Man with the Harmonica (Theme from 'Once Upon a Time in the West')" was released by Hollywood Symphony Orchestra. The duration of The Man with the Harmonica (Theme from 'Once Upon a Time in the West') is about 3 minutes long, at 3:15. Based on our data, "The Man with the Harmonica (Theme from 'Once Upon a Time in the West')" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hollywood Symphony Orchestra's "Hollywood Symphony Orchestra: The Best of the Magnificent Westerns" album is number 8 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Man with the Harmonica (Theme from 'Once Upon a Time in the West')'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The Man with the Harmonica (Theme from 'Once Upon a Time in the West') by Hollywood Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
In The Piazza Signoria | Richard Robbins, Richard Robbins And Orchestra, Orchestra | A Minor | 0 | 8A | 177 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": V. "Los manolos" Modo di suono, e canto | Luigi Boccherini, Eckart Runge, Cuarteto Casals | G Major | 2 | 9B | 89 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Ari's Theme From "Exodus" | London Festival Orchestra, Stanley Black | B Minor | 3 | 10A | 96 BPM |
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