"Macbeth / Act 4: Ah, la paterna mano" by Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker was released on January 1, 2006. The duration of Macbeth / Act 4: Ah, la paterna mano is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Macbeth / Act 4: Ah, la paterna mano's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viva Opéra ! by Roberto Alagna. The song's track number on the album is #8 out of 37 tracks. Macbeth / Act 4: Ah, la paterna mano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth / Act 4: Ah, la paterna mano by Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Macbeth / Act 4: Ah, la paterna mano being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Rigoletto / Act 1: Ch'io gli parli | Giuseppe Verdi, Plácido Domingo, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Kurt Moll, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 2 | 3B | 74 BPM | ||
Carmen: Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) | Georges Bizet, Graciela Alperyn, Giorgio Lamberti, Ann Liebeck, Doina Palade, Danilo Rigosa, Dalia Schaechter, Alan Titus, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 3 | 7B | 109 BPM | ||
Rigoletto / Act 3: Della vendetta alfin giunge l'istante | Giuseppe Verdi, Plácido Domingo, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 0 | 1B | 80 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |
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