Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel's 'Sonata Sexta in F Minor for Violin: IV. Allegro' came out on January 11, 2019. With Sonata Sexta in F Minor for Violin: IV. Allegro being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 28 in Circa 1700: Purcell & his Generation by La Rêveuse, Benjamin Perrot, Florence Bolton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonata Sexta in F Minor for Violin: IV. Allegro is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata Sexta in F Minor for Violin: IV. Allegro by Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
She Whom Above Myself I Prize: Air: Adagio Why Was She Made So Fair | Daniel Purcell, Delia Agúndez, Manuel Minguillón, Ruth Verona | F♯ Minor | 0 | 11A | 80 BPM | ||
Sonata in F Major, TWV 40:103: I. Dolce | Georg Philipp Telemann, Michala Petri | F Major | 0 | 7B | 80 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Pastoreta Ypeché Flauta: II. Allegro | Anonymous, Florilegium | B Major | 1 | 1B | 108 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Hither turn thee gentle swain | Daniel Purcell, Anna Dennis, Ciara Hendrick, Spiritato, Julian Perkins, Amy Freston | B Major | 2 | 1B | 77 BPM | ||
Concerto III Do minore RV 119: Largo | Modo Antiquo, Federico Maria Sardelli | C Minor | 0 | 5A | 81 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM |
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