"Aquilon et Orithie: Recitative - Aria: On peut toujours dans l'amoureux mystere" by Jean-Philippe Rameau, Peter Harvey, London Baroque was released on January 1, 2007. With this song being about 5 minutes long, at 5:15, "Aquilon et Orithie: Recitative - Aria: On peut toujours dans l'amoureux mystere" by Jean-Philippe Rameau, Peter Harvey, London Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Rameau: Amants Trahis (Les) / Aquilon Et Orithie / Thetis / Air A Boire / Campra: Les Femmes". In this album, this song's track order is #8. In terms of popularity, Aquilon et Orithie: Recitative - Aria: On peut toujours dans l'amoureux mystere is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aquilon et Orithie: Recitative - Aria: On peut toujours dans l'amoureux mystere by Jean-Philippe Rameau, Peter Harvey, London Baroque having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en La: Sarabande | Jean-Philippe Rameau, Alexandre Tharaud | A Major | 0 | 11B | 93 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Flute Concerto in D Minor, QV 5:81: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | E♭ Major | 0 | 5B | 134 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |
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