"Livre posthume (1740): IX. Tierce en taille" by Louis Marchand, Jean-Baptiste Robin was released on July 1, 2001. The duration of Livre posthume (1740): IX. Tierce en taille is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Livre posthume (1740): IX. Tierce en taille's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Louis Marchand, Jean-Baptiste Robin's "Louis Marchand: L'œuvre pour orgue" album is number 9 out of 23. Livre posthume (1740): IX. Tierce en taille is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Livre posthume (1740): IX. Tierce en taille by Louis Marchand, Jean-Baptiste Robin to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 5 in G Major, BWV 829: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Pieces de clavecin: Suite in E Minor: IV. Gigue en rondeau II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: IV. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Markuspassion: I. Jesus Christus ist um unser Missetat willen | Reinhard Keiser, Ensemble Jacques Moderne, Thomas E. Bauer, Gli Incogniti, Amandine Beyer, Jan Kobow, Joël Suhubiette | F♯ Minor | 2 | 11A | 72 BPM | ||
Ricercar XIX | Paolo Quagliati, Le Poème Harmonique, Vincent Dumestre | E♭ Minor | 0 | 2A | 113 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sonata a tre No. 6 in G Minor, Op. 2: III. Grave | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Psaume 51 Tilge, Höchster, Meine Sünden, BWV1083, Versus 17-18: Denn du willst kein Opfer haben | Johann Sebastian Bach, Karina Gauvin, Daniel Taylor, Les Violons du Roy, Bernard Labadie | B♭ Major | 1 | 6B | 117 BPM | ||
Suite in A Minor, RCT 1: II. Allemande | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: V. Giga. Allegro | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | F♯ Major | 2 | 2B | 138 BPM |
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