- BPM
- 79
- Key
- D Major
- Camelot
- 10B
Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" - Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge Information
- Acousticness
- 91%
- Danceability
- 23%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 15%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 25%
- Loudness
- -30.504 dB
Summary
"Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe"" by Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge was released on 1999. With Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 18 out of 68. Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" BPM
We consider the tempo marking of Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" by Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Philippe Herreweghe, Ian Bostridge to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Matthäus-Passion, BWV 244, Erster Teil: 18. Evangelista, Jesus "Da kam Jesus mit ihnen zu einem Hofe" Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Messe in B Minor, BWV 232: No; 2, Christe eleison | Johann Sebastian Bach, Marc Minkowski, Les Musiciens du Louvre, Blandine Staskiewicz, Lucy Crowe | C Minor | 1 | 5A | 130 BPM | |
 | St. John Passion, BWV 245: Part II: Chorale: Er nahm alles wohl in acht (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 2 | 4B | 139 BPM | |
 | III. Wer Dank Opfert, Der Preiset Mich BWV 17, Prima Parte, Recitativo (Alto): Es Muß Die Ganze Welt | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Bas Ramselaar, Ruth Holton | A♭ Major | 2 | 4B | 84 BPM | |
 | III. Freue Dich, Erlöste Schar BWV 30, Prima Parte, (1) Coro: Freue Dich, Erlöste Schar | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Oeds Van Middelkoop, Susanne Grutzmacher, Johann Sebastian Bach, Sytse Buwalda, Doretthe Janssens, Ruth Holton, Nico Van Der Meel, Pieter Jan Leusink | D♭ Major | 2 | 3B | 85 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 2. Coro (Versus I): Christ Lag In Todes Banden | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | Jauchzet dem Herrn alle Welt, BWV Anh. 160: I. No. 1, Chorus: Jauchzet dem Herrn, alle Welt | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | |
 | I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (2) Recitativo (Tenore): Er Kommt, Der Bräutgam Kommt | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Sytse Buwalda, Pieter Jan Leusink | B Minor | 0 | 10A | 81 BPM | |
 | Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | A♭ Major | 1 | 4B | 77 BPM | |
| I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (5) Recitativo (Basso): So Geh Herein Zu Mir | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Nico Van Der Meel, Pieter Jan Leusink | D Major | 0 | 10B | 77 BPM | |
 | "Nach dir, Herr, verlanget mich" BWV 150: Coro: "Nach dir, Herr, verlanget mich" | Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen | G Minor | 1 | 6A | 115 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0196986198425293
End: 1.0232667922973633