Johann Sebastian Bach, Hannah Morrison, Meg Bragle, Nicholas Mulroy, Peter Harvey, English Baroque Soloists, John Eliot Gardiner made "Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass)" available on March 4, 2014. With Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 12 out of 19 in Bach: Easter Oratorio & Actus tragicus by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass) by Johann Sebastian Bach, Hannah Morrison, Meg Bragle, Nicholas Mulroy, Peter Harvey, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 33, Rezitativ. "Und wiewohl viel falsche" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Dietrich Henschel, Elisabeth Von Magnus, Markus Schäfer, Concentus Musicus Wien | B Minor | 2 | 10A | 93 BPM | ||
Jesu, meine Freude, BWV 227: VI. Ihr aber seid nicht fleischlich | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | A Major | 2 | 11B | 81 BPM | ||
Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Chorale: Jesu, deine Passion | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 93 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, Prima Parte, (1) Coro: Freue Dich, Erlöste Schar | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Oeds Van Middelkoop, Susanne Grutzmacher, Johann Sebastian Bach, Sytse Buwalda, Doretthe Janssens, Ruth Holton, Nico Van Der Meel, Pieter Jan Leusink | D♭ Major | 2 | 3B | 85 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: III. Courante | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Recitative: Verstockung kann Gewaltige verblenden (Bass) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | F♯ Major | 1 | 2B | 75 BPM | ||
II. Erfreute Zeit Im Neuen Bunde BWV 83, (4) Recitativo (Alto): Ja, Merkt Dein Glaube | Holland Boys Choir, Netherlands Bach Collegium, Marjon Strijk, Marcel Beekman, Frank Wakelkamp, Rien Voskuilen, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | A♭ Major | 0 | 4B | 87 BPM | ||
St. Matthew Passion, BWV 244, Part 1: No. 29, Choral "O Mensch, bewein' dein Sünde groß" | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | A♭ Major | 2 | 4B | 117 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 23. Aria, "Brechet mir doch nicht das Herz" (Jesus) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Tiemo Wang | B♭ Minor | 1 | 3A | 32 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM |
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