"Tito Manlio, RV 738, Act I, Scene 3: II. Perché t'amo, mia Bella, mia Vita" by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone was released on November 2, 2005. The duration of Tito Manlio, RV 738, Act I, Scene 3: II. Perché t'amo, mia Bella, mia Vita is about 3 minutes long, at 3:28. Based on our data, "Tito Manlio, RV 738, Act I, Scene 3: II. Perché t'amo, mia Bella, mia Vita" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi: Tito Manlio by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone. The song's track number on the album is #12 out of 94 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Tito Manlio, RV 738, Act I, Scene 3: II. Perché t'amo, mia Bella, mia Vita is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Tito Manlio, RV 738, Act I, Scene 3: II. Perché t'amo, mia Bella, mia Vita by Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tito Manlio, RV 738, Act I, Scene 3: II. Perché t'amo, mia Bella, mia Vita being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia for Strings in G major, RV 149: II. Andante | Karoly Botvay | D Major | 0 | 10B | 114 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
Concerto In B Flat Major For 2 Violins, Strings & Continuo, RV 524: 1. Allegro | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | B♭ Major | 2 | 6B | 109 BPM | ||
Minuet in G Major, WoO 10, No. 2 | Ludwig van Beethoven, I Musici | G Major | 1 | 9B | 95 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Partie 2 en ut mineur: Gigue | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | B Minor | 3 | 10A | 194 BPM |
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