- BPM
- 109
- Key
- F♯ Major
- Camelot
- 2B
Three Aspects of Fear: 2. Hidden Menace - Hubert Clifford Information
- Acousticness
- 96%
- Danceability
- 16%
- Energy
- 8%
- Instrumentalness
- 98%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -21.363 dB
Summary
"Three Aspects of Fear: 2. Hidden Menace" by Hubert Clifford was released on January 1, 1959. With Three Aspects of Fear: 2. Hidden Menace being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Various Artists's "Kpm Brownsleeves: Kpmlpb 4" album is number 5 out of 20. In terms of popularity, Three Aspects of Fear: 2. Hidden Menace is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Three Aspects of Fear: 2. Hidden Menace BPM
We consider the tempo marking of Three Aspects of Fear: 2. Hidden Menace by Hubert Clifford to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
Three Aspects of Fear: 2. Hidden Menace Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | |
 | Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM | |
 | Miniatures for Piano "A Whole in Twelve": No. 2, The Lady Plays | Mikael Ayrapetyan | D♭ Major | 0 | 3B | 75 BPM | |
 | A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM | |
 | Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | |
 | Suite in A Major, Op. 98: I. Moderato - Più mosso | Antonín Dvořák, Xavier De Maistre | A Major | 0 | 11B | 103 BPM | |
 | Naval Occasion | Hubert Clifford, Melodi Light Orchestra | F♯ Minor | 4 | 11A | 58 BPM | |
 | Ein Sommernachtstraum (A Midsummer's Night Dream): VI. Notturno | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | E Major | 0 | 12B | 89 BPM | |
 | Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | |
 | Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9181337356567383
End: 0.9224612712860107