Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius
Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse
Carmina Burana
2:19 1995
BPM
84
Key
A Minor
Camelot
8A

Embed

Share Link

Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius - Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse Information

Acousticness
98%
Danceability
43%
Energy
26%
Instrumentalness
0%
Liveness
19%
Loudness
71%
Speechiness
6%
Valence
54%
Popularity
Loudness
-17.448 dB

Summary

Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse made "Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius" available on 1995. The duration of Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 28 in Carmina Burana by Carl Orff. Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius BPM

The tempo marking of Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
L'elisir d'amore / Act 2: L'elisir d'amore / Act 2: "Ei corregge ogni difetto"Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeB♭ Major36B126 BPM
Iolanta Op. 69, TH 11: Iolanta Op. 69, TH 11: "Atchevo eta prezhde ne znala"Pyotr Ilyich Tchaikovsky, Anna Netrebko, Mariinsky Orchestra, Valery GergievD Major110B177 BPM
L'elisir d'amore / Act 1: L'elisir d'amore / Act 1: "Quanto è bella"Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard BonyngeC Major28B80 BPM
La Bohème / Act 4: La Bohème / Act 4: "Vecchia zimarra, senti"Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von KarajanD♭ Minor112A79 BPM
Carmen (1997 - Remaster), Act IV: Les voici! voici la quadrille! by Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraCarmen (1997 - Remaster), Act IV: Les voici! voici la quadrille!Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera OrchestraD Major310B126 BPM
Turandot / Act 1: O giovinetto! Grazia, grazia! by Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaTurandot / Act 1: O giovinetto! Grazia, grazia!Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaB Major21B170 BPM
Puccini: Tosca, Act 3 Scene 4: Puccini: Tosca, Act 3 Scene 4: "Presto! Su, Mario!" (Tosca, Sciarrone, Spoletta, Chorus)Giacomo Puccini, Maria Callas, Angelo Mercuriali, Dario Caselli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de SabataB Major51B88 BPM
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! by Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles MackerrasRusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou!Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles MackerrasA Major211B135 BPM
La Bohème / Act 1: La Bohème / Act 1: "Sì. Mi chiamano Mimì"Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias RingborgD Major210B90 BPM
La sonnambula, Act I: Come per me sereno by Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino VottoLa sonnambula, Act I: Come per me serenoVincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino VottoE♭ Major15B88 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6189184188842773

End: 0.6451928615570068