Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse made "Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius" available on 1995. The duration of Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 28 in Carmina Burana by Carl Orff. Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius by Carl Orff, Michel Plasson, Orchestre Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Iolanta Op. 69, TH 11: "Atchevo eta prezhde ne znala" | Pyotr Ilyich Tchaikovsky, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 177 BPM | ||
L'elisir d'amore / Act 1: "Quanto è bella" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 80 BPM | ||
La Bohème / Act 4: "Vecchia zimarra, senti" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | ||
Carmen (1997 - Remaster), Act IV: Les voici! voici la quadrille! | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 126 BPM | ||
Turandot / Act 1: O giovinetto! Grazia, grazia! | Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | B Major | 2 | 1B | 170 BPM | ||
Puccini: Tosca, Act 3 Scene 4: "Presto! Su, Mario!" (Tosca, Sciarrone, Spoletta, Chorus) | Giacomo Puccini, Maria Callas, Angelo Mercuriali, Dario Caselli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | ||
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | D Major | 2 | 10B | 90 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM |
Section: 0.6189184188842773
End: 0.6451928615570068