On November 7, 2007, the song "Can Can (F5 Show Blow)" was released by Jacques Offenbach, Norsk Noteservice Wind Orchestra. With Can Can (F5 Show Blow) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vol. 9: King of the Road - Demo Tracks by Norsk Noteservice Wind Orchestra. The song's track number on the album is #6 out of 22 tracks. Based on our statistics, Can Can (F5 Show Blow)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Can Can (F5 Show Blow) by Jacques Offenbach, Norsk Noteservice Wind Orchestra has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Can Can (F5 Show Blow) being at 143 BPM, the half-time would be 72 BPM with a double-time of 286 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) | Léo Delibes, BBC Concert Orchestra, Barry Wordsworth | B Major | 2 | 1B | 71 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Offenbach / Arr Rosenthal & Griguoli: Gaîté parisienne: IV. Cancan | Jacques Offenbach, Giorgia Tomassi/Carlo Maria Griguoli/Alessandro Stella | D Major | 5 | 10B | 90 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Couplets: Deux heures devant moi (Lindorf) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 2 | 8B | 83 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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