"III. Es Erhub Sich Ein Streit BWV 19, 5. Aria (Tenore): Bleibt, Ihr Engel, Bleibt Bei Mir!" by Holland Boys Choir, Netherlands Bach Collegium, Frank Aarnink, Susan Williams, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Ruth Holton, Bas Ramselaar, Frank Anepool, Hendrik Jan Houtsma, Pieter Jan Leusink was released on December 20, 2006. Since III. Es Erhub Sich Ein Streit BWV 19, 5. Aria (Tenore): Bleibt, Ihr Engel, Bleibt Bei Mir! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 19 out of 21 in Bach Cantatas (Complete) Part: 59 by Holland Boys Choir, Netherlands Bach Collegium. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. III. Es Erhub Sich Ein Streit BWV 19, 5. Aria (Tenore): Bleibt, Ihr Engel, Bleibt Bei Mir! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Es Erhub Sich Ein Streit BWV 19, 5. Aria (Tenore): Bleibt, Ihr Engel, Bleibt Bei Mir! by Holland Boys Choir, Netherlands Bach Collegium, Frank Aarnink, Susan Williams, Johann Sebastian Bach, Nico Van Der Meel, Sytse Buwalda, Ruth Holton, Bas Ramselaar, Frank Anepool, Hendrik Jan Houtsma, Pieter Jan Leusink is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Buxtehude: Ich bin die Auferstehung und das Leben, BuxWV 44 | Dietrich Buxtehude, Ton Koopman, Peter Kooij, Amsterdam Baroque Orchestra | B Major | 1 | 1B | 87 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: IV. Recitative "Denn eben darum setzte sich mein Jesu" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | F♯ Major | 2 | 2B | 137 BPM | ||
Matthäus Passion, Prima Parte: 19. Recitative (Tenor) With Chorale: O Schmerz! Hier Zittert Das Gequälte Herz | Stephen Cleobury, Martyn Hill, Rogers Covey-Crump, Johann Sebastian Bach, Choir of King's College, Cambridge, David Thomas, Michael Chance, Emma Kirkby, Michael George | E Minor | 1 | 9A | 130 BPM | ||
Was für ein jauchzendes Gedränge, TWV 1:1509: No. 7, Gelobet sei, der da kömmt, gelobt sei Jesusin der Höhe | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens | E♭ Minor | 2 | 2A | 81 BPM | ||
St. John Passion, BWV 245, Part 2: No. 24, Arie (Baβ) - Chorus "Eilt ihr angefochtnen Seelen - Wohin?" | Johann Sebastian Bach, Johannes Weisser, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | F♯ Minor | 3 | 11A | 81 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: II. Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Dich rühmen die Welten, TVWV 1:329: VI. 06 6. Choral: Mitten wir im Leben sind | Georg Philipp Telemann, Solomon's Knot, Jonathan Sells, Les Passions de l’Âme, Meret Lüthi | B♭ Minor | 1 | 3A | 178 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
III. Es Reißet Euch Ein Schrecklich Ende BWV 90, Recitativo (Alto): Des Höchsten Güte Wird Von Tag | Pieter Jan Leusink, Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Susan Williams, Sytse Buwalda, Knut Schoch, Johann Sebastian Bach | B Minor | 0 | 10A | 65 BPM |
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