Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" - Wolfgang Amadeus Mozart, Laurence Equilbey, Lea Desandre, Insula Orchestra Information

Acousticness: 98%
Danceability: 26%
Energy: 1%
Instrumentalness: 0%
Liveness: 8%
Loudness: 54%
Speechiness: 5%
Valence: 4%
Popularity: 20%
Loudness: -27.306 dB

Summary

"Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!"" by Wolfgang Amadeus Mozart, Laurence Equilbey, Lea Desandre, Insula Orchestra was released on September 18, 2020. With Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Laurence Equilbey's "Magic Mozart" album is number 16 out of 26. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" BPM

We consider the tempo marking of Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" by Wolfgang Amadeus Mozart, Laurence Equilbey, Lea Desandre, Insula Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Mozart: Le nozze di Figaro, K. 492, Act IV: "L'ho perduta, me meschina!" Key

The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia	Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi	E♭ Major	2	5B	49 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto	Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit	F Major	0	7B	86 BPM
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio	Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker	D Major	0	10B	95 BPM
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo	Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend	B Minor	2	10A	105 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	E Minor	1	9A	76 BPM
Requiem In D Minor, K. 626: Sanctus	Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart	D Major	3	10B	82 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Sinfonia in C major, RV 112: I. Allegro	Karoly Botvay	G Major	2	9B	119 BPM
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe	Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart	G Minor	2	6A	91 BPM
Nocturne No. 2 in C Minor	John Field, Benjamin Frith	C Minor	0	5A	67 BPM

ISRC: GBPFW2000032
Label: L-M Records/RCA Records

Section: 0.6022133827209473

End: 0.6056852340698242