"La vestale, Act II: Scène. Nommez le mortel téméraire" by Gaspare Spontini, Marina Rebeka, Nicolas Courjal, Les Talens Lyriques, Christophe Rousset was released on May 12, 2023. With La vestale, Act II: Scène. Nommez le mortel téméraire being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Spontini: La vestale". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Italy. La vestale, Act II: Scène. Nommez le mortel téméraire is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La vestale, Act II: Scène. Nommez le mortel téméraire by Gaspare Spontini, Marina Rebeka, Nicolas Courjal, Les Talens Lyriques, Christophe Rousset having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spontini: La Vestale, Act 3: "La vestale infida mora" (Lucinius, Cinna, Chief Priest, Chorus, Julia) [Live] | Gaspare Spontini, Maria Callas, Enzo Sordello, Franco Corelli, Nicola Rossi-Lemeni, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | G Minor | 2 | 6A | 76 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Sois la bienvenu | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Les Cris De Paris | A Major | 0 | 11B | 173 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
La vestale, Act II: Act II: Air: Toi que j'implore avec effroi (Julia, Les Vestales) | Gaspare Spontini, Rosalind Plowright, Gisella Pasino, Munich Radio Orchestra, Gustav Kuhn | E♭ Major | 1 | 5B | 95 BPM | ||
Il Pirata, Act I: Alcun s'apressa | Vincenzo Bellini, Felice Romani, Marina Rebeka, Javier Camarena, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
La vestale, Act II: Finale. De son front, que la honte accable | Gaspare Spontini, Nicolas Courjal, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Canto di Fervore | Isabella Modigliani | C Minor | 3 | 5A | 101 BPM | ||
La Vestale. Tragédie lyrique en trois actes: «La paix est en ce jour le prix de vos conquêtes» (Choeur) | Gaspare Spontini, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | G Major | 2 | 9B | 86 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM |
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