Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti's 'Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène, Recitar!...Vesti la giubba: Recitar!....Mentre preso dal delirio (Canio)' came out on 1979. With Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène, Recitar!...Vesti la giubba: Recitar!....Mentre preso dal delirio (Canio) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 14 out of 44. Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène, Recitar!...Vesti la giubba: Recitar!....Mentre preso dal delirio (Canio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène, Recitar!...Vesti la giubba: Recitar!....Mentre preso dal delirio (Canio) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La urraca ladrona | Orquesta de la asociacion de conciertos de Berlin, Rene Leibowitz | B♭ Major | 1 | 6B | 135 BPM | ||
Contes d'Hoffmann: Les oiseaux dans la charnille | Jacques Offenbach, Olga Peretyatko, Miguel Gomez-Martinez | B♭ Major | 2 | 6B | 96 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Nutcracker - Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 1 | 10B | 100 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Habanera from Carmen | André Rieu | D Major | 3 | 10B | 119 BPM | ||
Pagliacci / Act 1: "Sei là...So ben che difforme...Oh! lasciami" | Ruggero Leoncavallo, Daniela Dessi, Juan Pons, Philadelphia Orchestra, Riccardo Muti | D♭ Major | 2 | 3B | 68 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM |
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