Thomas Morley, Alfred Deller, Deller Consort made "The First Booke of Balletts to Five Voyces, ii (1595) - Shoot, false Love, I care not" available on May 19, 2009. The duration of The First Booke of Balletts to Five Voyces, ii (1595) - Shoot, false Love, I care not is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The First Booke of Balletts to Five Voyces, ii (1595) - Shoot, false Love, I care not's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 135 in Alfred Deller: Madrigals, Complete Deller Vol. 5 by Alfred Deller, Deller Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The First Booke of Balletts to Five Voyces, ii (1595) - Shoot, false Love, I care not is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The First Booke of Balletts to Five Voyces, ii (1595) - Shoot, false Love, I care not by Thomas Morley, Alfred Deller, Deller Consort is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isorhythmic Motets: Vasilissa ergo gaude | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | G Minor | 2 | 6A | 120 BPM | ||
Canaries | Thoinot Arbeau, Michael Praetorius, Capella De La Torre, Katharina Bauml | G Major | 2 | 9B | 90 BPM | ||
Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM | ||
Galliard | Anon, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | A Major | 1 | 11B | 67 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Requiem canticorum: Alleluia | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 0 | 7B | 63 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Echo la primavera | Francesco Landini, Anonymous 4 | F Major | 0 | 7B | 85 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
The Dancing Master: Come live with me and be my love | John Playford, The Broadside Band, Jeremy Barlow | C Major | 0 | 8B | 75 BPM |
Section: 0.7269372940063477
End: 0.731701135635376