"5 Orchestral Pieces, Op. 16: II. (The Past)" by Arnold Schoenberg, London Symphony Orchestra, Robert Craft was released on November 21, 2006. With this song being about 5 minutes long, at 5:17, "5 Orchestral Pieces, Op. 16: II. (The Past)" by Arnold Schoenberg, London Symphony Orchestra, Robert Craft is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Schoenberg, A.: 5 Orchestral Pieces / Brahms, J.: Piano Quartet No. 1 (Orch. Schoenberg)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 5 Orchestral Pieces, Op. 16: II. (The Past) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Orchestral Pieces, Op. 16: II. (The Past) by Arnold Schoenberg, London Symphony Orchestra, Robert Craft having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
Moses und Aron / Act II: Wo ist Moses? (Chor, die Ältesten, Aron) | Arnold Schoenberg, Chris Merritt, Royal Concertgebouw Orchestra, Pierre Boulez, Chorus Of The Netherlands Opera | D♭ Major | 1 | 3B | 81 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Schoenberg: Gurre-Lieder, Melodram: "Herr Gänsefuss, Frau Gänsekraut" (Sprecher) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | D Major | 1 | 10B | 177 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
8 Lieder, Op. 6: No. 2, Alles | Arnold Schoenberg, Claire Booth, Christopher Glynn | F♯ Minor | 0 | 11A | 85 BPM | ||
Four Dirges, Sz. 45, Op. 9a: 1. Adagio | Béla Bartók, Alexei Lubimov | E Major | 0 | 12B | 0 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM |
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