"O Isis und Osiris: The Magic Flute, Chor der Priester" by Philharmonic Choir and Orchestra was released on 1998. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "The Magic Flute (Zauberflöte); The Marriage Of Figaro (Die Hochzeit des Figaro); Iomeneo - Cosi Fan Tutte". In this album, this song's track order is #7. In terms of popularity, O Isis und Osiris: The Magic Flute, Chor der Priester is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O Isis und Osiris: The Magic Flute, Chor der Priester by Philharmonic Choir and Orchestra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung HobXXI/2, PART 2: Vollendet ist das große Werk: Chor | Sir Neville Marriner, Südfunk-Chor, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart | B♭ Major | 3 | 6B | 111 BPM | ||
Horn Concerto No. 4 in E-flat Major, K. 495: ii. Romanze: Andante cantabile | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | E♭ Major | 1 | 5B | 95 BPM | ||
Grande Messe des Morts: IV. Introitus: Exaudi orationem meam - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 82 BPM | ||
Requiem, Sequentia: III. Voca me | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Minor | 0 | 5A | 81 BPM | ||
Die Schöpfung, Hob. XXI:2, Dritter Teil: II. Duett und Chor "Von deiner Güt', o Herr und Gott" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer, Rudolf Rosen | B♭ Major | 0 | 6B | 120 BPM | ||
Paulus: I. Teil: Nr. 21 Chor "O welch eine Tiefe" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | F♯ Major | 2 | 2B | 114 BPM | ||
Il Pirata, Act II: Cedo al destin orribile | Vincenzo Bellini, Felice Romani, Javier Camarena, Marina Rebeka, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
La vestale, Act I: Marche pour le départ des Vestales | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Requiem, Sequentia: I. Dies iræ | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Minor | 1 | 5A | 84 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM |
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