"Adès: Dante, Pt. I "Inferno": VIII. The Deviants—on burning sand—" by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale was released on April 21, 2023. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Thomas Adès: Dante". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Adès: Dante, Pt. I "Inferno": VIII. The Deviants—on burning sand—'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adès: Dante, Pt. I "Inferno": VIII. The Deviants—on burning sand— by Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
11 Pezzi infantili, Op. 35: X. Berceuse | Alfredo Casella, Luca Ballerini | E♭ Major | 0 | 5B | 78 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 84 BPM | ||
On an Overgrown Path, Series I: They Chattered like Swallows | Leoš Janáček, Thomas Adès | A♭ Minor | 1 | 1A | 112 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
The Street (harp solo): Station IV. Jesus meets his Mother | Nico Muhly, Alice Goodman, Parker Ramsay | C Major | 0 | 8B | 87 BPM |
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