"Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée" by Philip Glass, Katia Labèque, Marielle Labèque was released on February 23, 2024. With Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass, Katia Labèque, Marielle Labèque's "Glass: Cocteau Trilogy" album is number 3 out of 30. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orphée - Arr. for Piano duet / Act 1: III. La chambre d'Orphée by Philip Glass, Katia Labèque, Marielle Labèque to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée | Philip Glass, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 169 BPM | ||
Nocturne No. I, Illusions | Aprelstein | A Minor | 0 | 8A | 78 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto (Arr. for Cello and Piano by J. Brocal and C. Thomas) | Frédéric Chopin, Camille Thomas, Julien Brocal | D Major | 2 | 10B | 176 BPM | ||
Images: Postlude | Howard Skempton, Marielle Labèque | F♯ Minor | 0 | 11A | 133 BPM | ||
Prelude in C Minor - Upright Piano | John Field, Alice Sara Ott | C Minor | 0 | 5A | 138 BPM | ||
Eclipse | David Chalmin, Katia Labèque, Marielle Labèque, Bryce Dessner | D♭ Major | 4 | 3B | 136 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Kaiho | A. Blomqvist | C Minor | 0 | 5A | 125 BPM | ||
Etude No.11 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM |
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