"Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée" by Philip Glass, Katia Labèque, Marielle Labèque was released on February 23, 2024. The duration of Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philip Glass, Katia Labèque, Marielle Labèque's "Glass: Cocteau Trilogy" album is number 4 out of 30. On top of that, Italy appears to be the country where this track was created. The popularity of Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orphée - Arr. for Piano duet / Act 2: IV. Chez Orphée by Philip Glass, Katia Labèque, Marielle Labèque to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: Le fils des étoiles: Prélude du premier acte. La vocation | Erik Satie, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
Armenian Dances: Unabi of Shushi | Komitas, Kirill Gerstein | E Major | 0 | 12B | 67 BPM | ||
Ellis Island | Meredith Monk, Katia Labèque, Marielle Labèque, Bryce Dessner, David Chalmin | A Minor | 2 | 8A | 136 BPM | ||
Experience (Version for Solo Piano) | Ludovico Einaudi, Alena Cherny | A Minor | 0 | 8A | 66 BPM | ||
Etude No.18 | Philip Glass, Feico Deutekom | A Minor | 1 | 8A | 60 BPM | ||
Variations on a theme of Paganini: Theme. Vigorosamente – Var. 1 & Var. 2. Pochissimo più mosso | Marc-André Hamelin | C Major | 0 | 8B | 129 BPM | ||
Variations in B-Flat Minor, Op. 3: No. 2, Var. I. Listesso tempo | Karol Szymanowski, Frédéric Vaysse-Knitter | D♭ Major | 2 | 3B | 134 BPM | ||
Chôro No. 5, W205: Alma brasileira | Heitor Villa-Lobos, Wilhem Latchoumia | E Minor | 0 | 9A | 77 BPM | ||
Prélude in B Major, Op. 16, No. 1 - Upright Version | Alexander Scriabin, Julius Asal | D Minor | 2 | 7A | 82 BPM | ||
Variations concertantes, Op. 17/MWV Q 19: IX. Tempo I. Coda. Più animato | Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou | E♭ Major | 0 | 5B | 138 BPM |
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