"Furioso-Polka, Op. 260" by Johann Strauss II, Jack Rothstein, Johann Strauss Orchestra was released on February 1, 1991. The duration of Furioso-Polka, Op. 260 is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Furioso-Polka, Op. 260's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 14 in By The Beautiful Blue Danube by Johann Strauss II, Jack Rothstein, Johann Strauss Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Furioso-Polka, Op. 260 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Furioso-Polka, Op. 260 by Johann Strauss II, Jack Rothstein, Johann Strauss Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 : An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 | Strauss Festival Orchestra, Johann Strauss II | D Major | 0 | 10B | 91 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | A Major | 2 | 11B | 70 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 5 | 6B | 131 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Kaiser (Emperor), Op. 437 : Kaiserwalzer | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | C Major | 0 | 8B | 95 BPM |
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