Paul Hindemith, Kolja Blacher/Berliner Philharmoniker/Claudio Abbado, Berliner Philharmoniker made "Kammermusik No. 4 (Violinlkonzert) für Solo-Violine und grösseres Kammerorchester Op. 36 No. 3: V. So schnell wie möglich" available on October 1, 2007. The duration of Kammermusik No. 4 (Violinlkonzert) für Solo-Violine und grösseres Kammerorchester Op. 36 No. 3: V. So schnell wie möglich is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Kammermusik No. 4 (Violinlkonzert) für Solo-Violine und grösseres Kammerorchester Op. 36 No. 3: V. So schnell wie möglich's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Claudio Abbado's "Hindemith: Kammermusik 1-7 & Der Schwanendreher" album is number 17 out of 31. Kammermusik No. 4 (Violinlkonzert) für Solo-Violine und grösseres Kammerorchester Op. 36 No. 3: V. So schnell wie möglich is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Kammermusik No. 4 (Violinlkonzert) für Solo-Violine und grösseres Kammerorchester Op. 36 No. 3: V. So schnell wie möglich by Paul Hindemith, Kolja Blacher/Berliner Philharmoniker/Claudio Abbado, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mer, L. 109: III. Dialogue of the Wind and the Sea | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 78 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 133 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Symphony in F Major, Op. 8, "The Cotswolds": I. Allegro con brio | Gustav Holst, Ulster Orchestra, Joann Falletta | F Major | 1 | 7B | 104 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
24 Préludes, Op. 28: 2. In A Minor | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Two Serenades, Op.69: 2. Lento assai, Op.69 No.2 - In G Minor | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | C Minor | 0 | 5A | 104 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM |
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