"Bartók: String Quartet No. 5 in B-Flat Major, Sz. 102: III. Scherzo. Alla bulgarese - Trio" by Béla Bartók, Belcea Quartet was released on January 21, 2008. With this song being about 5 minutes long, at 4:53, "Bartók: String Quartet No. 5 in B-Flat Major, Sz. 102: III. Scherzo. Alla bulgarese - Trio" by Béla Bartók, Belcea Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 23 in Bartók: String Quartets Nos. 1 - 6 by Béla Bartók, Belcea Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bartók: String Quartet No. 5 in B-Flat Major, Sz. 102: III. Scherzo. Alla bulgarese - Trio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bartók: String Quartet No. 5 in B-Flat Major, Sz. 102: III. Scherzo. Alla bulgarese - Trio by Béla Bartók, Belcea Quartet is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Andante Cantabile | Pyotr Ilyich Tchaikovsky, St. Lawrence String Quartet | B♭ Major | 0 | 6B | 90 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Elisaveta Blumina | G Minor | 0 | 6A | 66 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 6, Allegro vivace "As I Walked Over London Bridge" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 1 | 9A | 120 BPM | ||
Gnossiennes: n° 4 | Erik Satie, Alexandre Tharaud | A Minor | 0 | 8A | 85 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM |
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