"Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo" by Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra was released on January 1, 1992. Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. This song is part of Weber: Clarinet Concertos / Rossini: Introduction, Theme and Variations by Charles Neidich, Orpheus Chamber Orchestra. The song's track number on the album is #2 out of 16 tracks. Based on our data, Germany was the country where this track was produced or recorded. Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo by Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
6 Morceaux, Op. 19: No. 4. Nocturne in C-Sharp Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | D♭ Minor | 0 | 12A | 72 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. Piano) | Gabriel Fauré, Alan Feinberg | F Minor | 2 | 4A | 134 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
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