"Nocturne in C-Sharp Minor, Op. Posth., B. 49" by Yoko Ara, Takehiko Yamada was released on June 1, 2018. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Smile". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. In terms of popularity, Nocturne in C-Sharp Minor, Op. Posth., B. 49 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne in C-Sharp Minor, Op. Posth., B. 49 by Yoko Ara, Takehiko Yamada having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Around the World (From "Around the World in 80 Days") | Yoko Ara, Takehiko Yamada | E♭ Minor | 1 | 2A | 94 BPM | ||
馬斯奈, 泰伊斯冥想曲 / J.マスネ, タイスの瞑想曲 | 亞麗葛二重奏 Duo Aligatissimo | D Major | 1 | 10B | 134 BPM | ||
Piano Trio in E-Flat Major, D. 929, Op. 100: II. Andante con moto | Franz Schubert, Trio Zeliha, Manon Galy, Maxime Quennesson, Jorge Gonzalez Buajasan | C Minor | 0 | 5A | 72 BPM | ||
Nocturne No. 7 in C-Sharp Minor, Op. 74 (1898) | Brad Mehldau | E♭ Major | 0 | 5B | 63 BPM | ||
O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | ||
Prelude in C Minor, BWV 999 (Arr. D.F. Tovey for Cello & Piano) | Johann Sebastian Bach, Alice Neary, Gretel Dowdeswell | F♯ Major | 2 | 2B | 92 BPM | ||
Invierno Porteño | Dimitri Illarionov, Boris Andrianov | D Minor | 0 | 7A | 87 BPM | ||
Trio for Piano, Violin and Horn in E-Flat Major, Op. 40: III. Adagio mesto | Johannes Brahms, Geoffroy Couteau, Amaury Coeytaux, Antoine Dreyfuss | F Major | 0 | 7B | 134 BPM | ||
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
アリア「愛ゆえに私の救い主は死のうとしておられます」(マタイ受難曲 BWV 244 第49番) | Johann Sebastian Bach, Miwako Handa, Takehiko Yamada | A Major | 0 | 11B | 72 BPM |
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