Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic's 'Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee' came out on November 10, 2017. With Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists, Michel Plasson's "Légendes, les musiques enchantées" album is number 35 out of 38. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee by Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
Tarentelle, Op. 6: Tarantelle, Op. 6 | Camille Saint-Saëns, Joanna G'froerer, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 91 BPM | ||
The Snow Maiden / Act 4: "Svyet i sila, bog Yarilo" | Nikolai Rimsky-Korsakov, Valeria Heybalova, Militza Miladinovich, Stepan Andrashevich, Ilya Gligorievich, Nikola Janchich, Lubitza Versaykoun, Bogolub Grubach, Krsta Krstich, Sofiya Jankovich, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich | F Major | 3 | 7B | 87 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
The Snow Maiden / Act 1: "Snegurochka, odna stoyit, bednyazhka!" | Nikolai Rimsky-Korsakov, Valeria Heybalova, Sofiya Jankovich, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM |
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