"Macbeth / Act 4: "O figli, O figli miei!" - "Ah, la paterna mano"" by Giuseppe Verdi, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado was released on January 1, 1976. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Macbeth by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #8 out of 31 tracks. In terms of popularity, Macbeth / Act 4: "O figli, O figli miei!" - "Ah, la paterna mano" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth / Act 4: "O figli, O figli miei!" - "Ah, la paterna mano" by Giuseppe Verdi, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Macbeth / Act 4: "O figli, O figli miei!" - "Ah, la paterna mano" being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Rigoletto, Act I: "Questa o quella" | Giuseppe Verdi, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 163 BPM | ||
Alonso, Francisco: Coplas de Ronda: Serenata, "Bella niña de ojos negros" | Francisco Alonso, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | G Major | 3 | 9B | 115 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Los Gavilanes: Flor roja | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia | C Major | 1 | 8B | 96 BPM | ||
Malagueña | Ernesto Lecuona, Plácido Domingo, Lee Holdridge, Royal Philharmonic Orchestra | A Major | 2 | 11B | 169 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
"Mattinata" | Ruggero Leoncavallo, Plácido Domingo, London Symphony Orchestra, Marcel Peeters | A Minor | 4 | 8A | 113 BPM | ||
Musica proibita | Stanislao Gastaldon, Plácido Domingo, Eugene Kohn, Budapest Philharmonic Orchestra | D♭ Major | 2 | 3B | 125 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 174 BPM | ||
O Sole Mio | Plácido Domingo | G Major | 3 | 9B | 88 BPM |
Section: 0.6039423942565918
End: 0.6098606586456299