"De profundis" by Artúr Harmat, Budapest Monteverdi Choir, Eva Kollar was released on June 1, 2010. The duration of De profundis is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. De profundis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Budapest Monteverdi Choir, Eva Kollar, Ferenc Farkas, Ferenc Kersch, Gyorgy Deak-Bardos, György Orbán, Lajos Bárdos, László Halmos, Zoltán Kodály's "Musica Sacra Hungarica. Geistliche Chormusik des 20. Jahrhunderts" album is number 12 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, De profundis's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of De profundis by Artúr Harmat, Budapest Monteverdi Choir, Eva Kollar to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Evensong: Introit: O Praise The Lord | Choir of King's College, Cambridge | F Minor | 1 | 4A | 89 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Sicut Cervus (Giovanni Pierluigi da Palestrina) | Sexteto Cantábile | G Major | 2 | 9B | 130 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): IV. Sanctus | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | D♭ Minor | 2 | 12A | 116 BPM | ||
Six Moravian Choruses: VI. Trust | Leoš Janáček, Cappella Amsterdam, Daniel Reuss | A♭ Major | 1 | 4B | 137 BPM | ||
All-night Vigil, Op. 37, "Vespers": We praise thee | Sergei Rachmaninoff, Juhani Viskari, Cantores Minores Ensemble, Filip Hayrynen | A Major | 3 | 11B | 143 BPM | ||
Soma Christou (Live) | St. Maximus the Confessor Orthodox Church Choir | E Minor | 2 | 9A | 134 BPM | ||
Undiscovered | Teitur Lassen, Bernhardur Wilkinson, Tórshavnar kamarkór, Teitur | C Major | 0 | 8B | 77 BPM |
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