Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard made "The Wooden Prince, Sz. 60 (Final Version): XV. Fifth Dance - The Princess Forces the Wooden Prince to Dance" available on March 29, 2024. With The Wooden Prince, Sz. 60 (Final Version): XV. Fifth Dance - The Princess Forces the Wooden Prince to Dance being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 29 in Bartok: The Wooden Prince (Final Version) by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Wooden Prince, Sz. 60 (Final Version): XV. Fifth Dance - The Princess Forces the Wooden Prince to Dance's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of The Wooden Prince, Sz. 60 (Final Version): XV. Fifth Dance - The Princess Forces the Wooden Prince to Dance by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Divertimento for Strings, Sz. 113: II. Molto adagio | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM | ||
For Children Vol. 1, Sz. 42: No. 3 Quasi adagio | Béla Bartók, Lars Vogt | E Minor | 0 | 9A | 62 BPM | ||
Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM |
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