Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018: 1. - - Johann Sebastian Bach, Arthur Grumiaux, Christiane Jaccottet Information

Acousticness: 95%
Danceability: 46%
Energy: 25%
Instrumentalness: 67%
Liveness: 15%
Loudness: 71%
Speechiness: 6%
Valence: 95%
Popularity: 2%
Loudness: -17.268 dB

Summary

On January 1, 1990, the song "Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018: 1. -" was released by Johann Sebastian Bach, Arthur Grumiaux, Christiane Jaccottet. Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018: 1. - is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The song is number 17 out of 41 in Bach, J.S.: Complete Violin Sonatas by Johann Sebastian Bach, Arthur Grumiaux, Christiane Jaccottet, Philippe Mermoud. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018: 1. -'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018: 1. - BPM

The tempo marking of Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018: 1. - by Johann Sebastian Bach, Arthur Grumiaux, Christiane Jaccottet is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Sonata For Violin And Harpsichord No. 5 In F Minor, BWV 1018: 1. - Key

This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Lieder ohne Worte, Op. 19, No. 1	Felix Mendelssohn, Murray Perahia	E Major	0	12B	138 BPM
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen	Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs	E♭ Minor	3	2A	77 BPM
Brandenburg Concerto No. 2 In F Major, Bwv 1047: II. Andante	Cologne Chamber Orchestra, Johann Sebastian Bach	D Minor	1	7A	124 BPM
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"	Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien	B Major	2	1B	128 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	D♭ Minor	3	12A	169 BPM
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile	Joseph Haydn, Kodály Quartet	G Major	0	9B	106 BPM
Carnaval, Op. 9: XII. Chopin	Robert Schumann, Daniil Trifonov	E Major	0	12B	68 BPM
Vocalise, Op. 34, No. 14 - Version For Cello And Piano	Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov	E Minor	8	9A	128 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio	Alessandro Marcello, Venice Baroque Orchestra	D♭ Minor	0	12A	79 BPM

ISRC: NLA507800915
Label: L-M Records/RCA Records

Section: 0.7647113800048828

End: 0.7700681686401367