"Paulus (St. Paul), Op. 36, MWV A14: How Lovely are the Messengers (Sung in English)" by Felix Mendelssohn, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt was released on September 24, 2013. The duration of Paulus (St. Paul), Op. 36, MWV A14: How Lovely are the Messengers (Sung in English) is about 3 minutes long, at 3:12. Based on our data, "Paulus (St. Paul), Op. 36, MWV A14: How Lovely are the Messengers (Sung in English)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Westminster Choir: Favorite Hymns and Anthems by Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt. The song's track number on the album is #3 out of 20 tracks. Paulus (St. Paul), Op. 36, MWV A14: How Lovely are the Messengers (Sung in English) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Paulus (St. Paul), Op. 36, MWV A14: How Lovely are the Messengers (Sung in English) by Felix Mendelssohn, Westminster Choir, Joan Lippincott, Ronald Arnatt, Joseph Flummerfelt has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Paulus (St. Paul), Op. 36, MWV A14: How Lovely are the Messengers (Sung in English) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Capriccio in F-Sharp Minor, Op. 76, No. 1 | Johannes Brahms, Arcadi Volodos | D♭ Major | 1 | 3B | 69 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM |
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