György Ligeti, Yuja Wang made "Études pour piano: No. 3 "Touches bloquées" - Live at Philharmonie, Berlin / 2018" available on November 23, 2018. With Études pour piano: No. 3 "Touches bloquées" - Live at Philharmonie, Berlin / 2018 being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "The Berlin Recital (Live at Philharmonie, Berlin / 2018)". In this album, this song's track order is #6. In terms of popularity, Études pour piano: No. 3 "Touches bloquées" - Live at Philharmonie, Berlin / 2018 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Études pour piano: No. 3 "Touches bloquées" - Live at Philharmonie, Berlin / 2018 by György Ligeti, Yuja Wang having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Major | 2 | 12B | 76 BPM | ||
Naqoyqatsi | Philip Glass, Matt Haimovits, Dennis Russell Davies, Cincinnati Symphony Orchestra | E♭ Major | 3 | 5B | 155 BPM | ||
6 Chansons: No. 4. Trois moines cretois… (Three Cretan monks) | Iannis Xenakis, Stephanos Thomopoulos | A Minor | 0 | 8A | 72 BPM | ||
3 Pieces, Op. 2: Etude Op. 2, No. 1 | Alexander Scriabin, Alexander Paley | F♯ Major | 2 | 2B | 110 BPM | ||
Ogives: 1. | Erik Satie, Reinbert de Leeuw | E Minor | 0 | 9A | 131 BPM | ||
Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
Sinfonietta No. 2: III. Serenade: Tempo di valse | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Major | 0 | 8B | 88 BPM | ||
Umi e (Toward the Sea): III - Cape Cod | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | A♭ Major | 0 | 4B | 73 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 4 | John Cage, Boris Berman | G Minor | 3 | 6A | 68 BPM | ||
The Firebird (version for piano): Lullaby (The Firebird) | Igor Stravinsky, Idil Biret | A♭ Minor | 0 | 1A | 80 BPM |
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