- BPM
- 88
- Key
- A Minor
- Camelot
- 8A
Préludes / Book 1, L.117: 2. Voiles - Live - Claude Debussy, Krystian Zimerman Information
- Acousticness
- 99%
- Danceability
- 24%
- Energy
- 9%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 16%
- Loudness
- -20.918 dB
Summary
"Préludes / Book 1, L.117: 2. Voiles - Live" by Claude Debussy, Krystian Zimerman had its release date on November 18, 1993. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 24 in Debussy: Preludes by Claude Debussy, Krystian Zimerman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L.117: 2. Voiles - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Préludes / Book 1, L.117: 2. Voiles - Live BPM
The tempo marking of Préludes / Book 1, L.117: 2. Voiles - Live by Claude Debussy, Krystian Zimerman is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Préludes / Book 1, L.117: 2. Voiles - Live Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Piano Trio No. 2 in E Minor, Op. 67: III. Largo | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 81 BPM | |
 | Debussy / Arr. Smith & Denisov: Rodrigue et Chimène, CD 80, L. 72, Act 1: "À ta beauté ma force est asservie" (Rodrigue, Chimène) | Claude Debussy, Kent Nagano, Donna Brown, Laurence Dale, Orchestre de l'Opéra de Lyon | C Major | 2 | 8B | 101 BPM | |
 | Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Le gladiateur: Duo: L'impatience populaire… (Fulvie, Narbal) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM | |
 | Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | |
 | Sonata No. 2, Op. 36: II. Non Allegro | Hélène Grimaud | E Minor | 0 | 9A | 68 BPM | |
 | Lyric Pieces Book IV, Op.47: No. 4 Halling | Edvard Grieg, Emil Gilels | D Major | 1 | 10B | 113 BPM |
- ISRC
- DEF059131402
- Label
- L-M Records/RCA Records