Anton Paulik, Orq. De Dança da Côrte de Viena's 'Sobre as Ondas' came out on March 27, 2017. Since Sobre as Ondas is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Clássicos Para Todos: Vol. 6 by Anton Paulik, Orq. De Dança da Côrte de Viena. Going off of the ISRC code of this track, we detected that the origin of this track is from Brazil. The popularity of Sobre as Ondas is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sobre as Ondas by Anton Paulik, Orq. De Dança da Côrte de Viena is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | C Major | 1 | 8B | 0 BPM | ||
Der Bettelstudent - Operetta in 3 Acts / Act 2: Soll ich reden (Arr. Rudolf Bibl) | Carl Millöcker, Renate Holm, Werner Krenn, Vienna Volksoper Orchestra, Anton Paulik | D Major | 2 | 10B | 177 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Hochzeitstanz (Orchester) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | F Major | 3 | 7B | 105 BPM | ||
Attack, Op. 156 | Karel Komzák, Czech Philharmonic Orchestra, Václav Neumann | D Major | 5 | 10B | 147 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Josef Strauss: Jockey, Op.278 | Josef Strauss, Vienna State Opera Orchestra, Anton Paulik | E♭ Major | 3 | 5B | 177 BPM | ||
Waltzes from "Eva" | Vienna State Opera Orchestra, Anton Paulik | D Major | 2 | 10B | 85 BPM | ||
Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
Wiener Blut (operetta) / Act 3: Polka | Johann Strauss II, Die Schonbrunner Schrammeln, Symphonieorchester Graunke, Anton Paulik | D Major | 5 | 10B | 145 BPM |
Section: 0.8044767379760742
End: 0.8098108768463135