"Raymonda, Op. 57, Act I Scene 1: Raymonda's House" by Alexander Glazunov, Gavin Sutherland, English National Ballet Philharmonic was released on 2022. With this song being about 5 minutes long, at 5:27, "Raymonda, Op. 57, Act I Scene 1: Raymonda's House" by Alexander Glazunov, Gavin Sutherland, English National Ballet Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland's "Glazunov: Raymonda, Op. 57" album is number 1 out of 44. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Raymonda, Op. 57, Act I Scene 1: Raymonda's House's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raymonda, Op. 57, Act I Scene 1: Raymonda's House by Alexander Glazunov, Gavin Sutherland, English National Ballet Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Scheherazade: The Tale of the Kalendar Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | B Minor | 1 | 10A | 62 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Les Ruses d'amour, Op. 61: Sarabanda | Alexander Glazunov, Iasi Moldova Philharmonic Orchestra, Horia Andreescu | A Major | 1 | 11B | 129 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM |
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