On January 4, 1999, the song "Le travail du peintre, FP 161: I. Pablo Picasso" was released by Francis Poulenc, Nathalie Stutzmann, Inger Södergren. The duration of Le travail du peintre, FP 161: I. Pablo Picasso is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Le travail du peintre, FP 161: I. Pablo Picasso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Poulenc: French Recital Vol. IV". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Le travail du peintre, FP 161: I. Pablo Picasso's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Le travail du peintre, FP 161: I. Pablo Picasso by Francis Poulenc, Nathalie Stutzmann, Inger Södergren having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hjertets melodier (Melodies of the Heart), Op. 5: No. 3. Jeg elsker dig (I Love but Thee) (arr. H. Kraggerud): I Love Only You, Op. 5, No. 3 | Henning Kraggerud, Edvard Grieg, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 86 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Descriptions automatiques: III. Sur un casque | Erik Satie, Francis Poulenc | G Major | 3 | 9B | 145 BPM | ||
4 Motets pour un temps de pénitence, FP 97: No. 2. Vinea mea electa | Francis Poulenc, Elora Festival Singers, Noel Edison | F Major | 1 | 7B | 75 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 70 BPM | ||
Sarabande No. 2 | Erik Satie, Francis Poulenc | E♭ Minor | 0 | 2A | 137 BPM | ||
Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
8 pièces brèves, Op.84: 5. Improvisation in C sharp minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM |
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