George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra's 'For Unto Us A Child Is Born - Live' had a release date set for January 1, 1987. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Andrew Davis's "Handel: Messiah" album is number 12 out of 54. On top of that, United States appears to be the country where this track was created. In terms of popularity, For Unto Us A Child Is Born - Live is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of For Unto Us A Child Is Born - Live by George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amazing Grace (arr. J. Rutter) | John Rutter, Traditional, The Cambridge Singers, Thelma Owen | B Major | 1 | 1B | 167 BPM | ||
Alleluia | Ralph Manuel, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg | A♭ Minor | 1 | 1A | 77 BPM | ||
Hallelujah | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | D Major | 3 | 10B | 104 BPM | ||
A Ceremony of Carols, Op. 28: No. 6, This little Babe | Benjamin Britten, Winchester College Quiristers, Katie Salomon, Malcolm Archer | A♭ Minor | 1 | 1A | 69 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: 5. Laudate Dominum omnes gentes (Ps. 116/117) | Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock, The English Concert Choir | A Minor | 1 | 8A | 74 BPM | ||
A Prayer of Saint Patrick | John Rutter, The Cambridge Singers | E♭ Major | 1 | 5B | 114 BPM | ||
O taste and see | Ralph Vaughan Williams, The Choir Of Trinity College, Cambridge | E Minor | 0 | 9A | 78 BPM | ||
Silent Night | Franz Xaver Gruber, The Cambridge Singers, City of London Sinfonia, John Rutter | B Major | 0 | 1B | 67 BPM | ||
Exsultate, jubilate, K. 165: 4. Alleluia | Wolfgang Amadeus Mozart, Barbara Bonney, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 128 BPM | ||
Panis Angelicus | The St Philips Boy's Choir | A♭ Major | 3 | 4B | 140 BPM |