"Alleluia" by Ralph Manuel, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg had its release date on January 5, 2010. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg's "Heavensong: Music of Contemplation and Light" album is number 14 out of 15. On top of that, United States appears to be the country where this track was created. Alleluia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alleluia by Ralph Manuel, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Mack Wilberg to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamb | John Tavener, The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Craig Jessop | A Major | 1 | 11B | 76 BPM | ||
This Marriage | Eric Whitacre, BYU Singers, Ronald Staheli | D♭ Minor | 1 | 12A | 126 BPM | ||
Messiah, HWV 56 / Pt. 1: "And The Glory Of the Lord" | George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 146 BPM | ||
Adeste fideles | Marco Frisina | A Major | 2 | 11B | 136 BPM | ||
Here I Am, Lord | AFLBS Concert Choir | A Major | 1 | 11B | 77 BPM | ||
"Nasceris, alme puer" | Gregorio Allegri, Sistine Chapel Choir, Massimo Palombella | F Major | 1 | 7B | 78 BPM | ||
Carol of the Bells | Mykola Dmytrovych Leontovych, Desmond Earley, The Choral Scholars of University College Dublin, Irish Chamber Orchestra | F Minor | 1 | 4A | 143 BPM | ||
Adam Lay Ybounden | The Sixteen | D Major | 2 | 10B | 0 BPM | ||
Holy, holy, holy (Nicaea) [v.2 arr. Willcocks] | John Bacchus Dykes, Reginald Heber, Choir of King's College, Cambridge, Ian Hare, Sir David Willcocks | D Major | 2 | 10B | 73 BPM | ||
Sanctus from Requiem | Gabriel Fauré, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | E♭ Major | 0 | 5B | 121 BPM |